Crafting the Experience of Place
Why do materials touched by the human hand evoke such profound and fundamentally different sensory experiences from those produced through repetitive industrial processes?
IN CONVERSATION WITH DOMINIKA ROSLON, CO-FOUNDER OF ADÈLE COLLECTIONS
Crafting the Experience of Place
Why does scent allow us to return to the memory of a place or a moment long after the experience itself has passed?
IN CONVERSATION WITH PIERRE-YVES CAMBEL, REPRESENTATIVE OF NIPPON KODO
What is grounding through structure
And why does some rhythm regulate the nervous system through calm, while other creates stability?
When art begins to breath
There is a moment when art, removed from life, begins to feel distant. Enclosed within white walls, protected by silence that does not belong to the body, it can become static — admired, yet untouched. Seen, but not felt. Art does not disappear there. But something essential quiets down.
Before beauty emerges
There are things that cannot be designed. They can only be heard. Rhythm is one of them. Before form appears, before space takes shape, before a decision is made about color, material, or light — there is rhythm.